Lisa Stertz (DE)
       
     
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Romain Loustau (FR)/Madhavi Gore (IN)
       
     
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Sohil Bhatia (IN)
       
     
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Roselyn D'mello (IN)
       
     
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Lisa Stertz (DE)
       
     
Lisa Stertz (DE)

Open Loss
Duration 4 hours

O.L. is a bringing together of the previews performances, shown during my residency at HH ART SPACES. These dealt with our relationship and responsibility to our earth, and aimed to shed light on the importance of care between humans, since it will only be a communal or relational gesture to nourish, help, and heal us as well as our planet. Tonight’s movement takes a step into the reflection that care starts with self-care and its acknowledgement. Further it seeks to distill and culminate the conversations between thoughts, materials and people that happened during my time here.

Photography: Dheer Kaku

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Romain Loustau (FR)/Madhavi Gore (IN)
       
     
Romain Loustau (FR)/Madhavi Gore (IN)

The war started during summer holidays / wild horse
Duration 4 hours

Part of a long and destructured ongoing series of performances sharing the same title, "The war started during summer holidays", dealing with the awkwardness of our destructured days through disillusioned dreams, aesthetic and humor.
 

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Sohil Bhatia (IN)
       
     
Sohil Bhatia (IN)

I-II-III-IV
Digital Video and Installation
Ongoing

I-II-III-IV is an observation of natural and artificial mechanisms that unfold over an unanticipated duration through a series of performance experiments. In the absence of a performer, the installation invites the audience to diligently watch a site of constant flux.
Sohil Bhatia is the Inlaks Shivdasani Foundation with HH Art Spaces Awardee.

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Roselyn D'mello (IN)
       
     
Roselyn D'mello (IN)

The Miracle of the Loaves and the Fish
An intimate three-course, foraged meal,
One to one performance - 15 min.

Rosalyn D’Mello will invite viewers one at a time to enter the room she has been inhabiting at HH Art Spaces for a 15-minute feast. Her performance is hinged on her identity as a writer anxious about claiming the notional category of an « artist » and explores the concept of submission and servitude as the elements that bridge both conceptual domains.

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